Teacher professional growth plan 2013-14

Teacher professional growth plan 2013-14

Reflection: Reflect on last year, including professional development

  • DH role
    • I started in January 2013, as an interim DH & I am now the full time Department Head with our French Curriculum Leader
    • I had a very big learning curve
    • Thankfully, we have an amazing French program’s Curriculum Leader
    • I updated and streamlined:
      • Created a Language Department site
        • Sharing of assessment rubrics and ideas
        • Backward design concept / reports
        • e-portfolios
      • I designed a “Collective Doc”
        • “No luck – Collective Doc!”
        • We have our meeting agendas there
        • We have a table of content of our Shared Docx
        • Links to meetings / summaries
      • The conference budget (everyone has already gone to at least one conference this year)
        • Planned and organized 3 successful retreats
      • The 3 languages budgets (on Google docx)
      • I successfully involved all the language teachers in the CAIS process and used the opportunity to create a collaborative approach to challenges
      • I organized all our meetings / meetings summaries on an online spreadsheet with a clear structure for easier access and referencing
      • Updated our Language Department’s handbook (IP)
      • Revised our Department Vision (IP)
      • Updated and organize all inventories
      • I created a shared folder for the department:
        • ideas for technological processes
        • monitoring activities for each department
        • sharing course outlines, descriptions, report comments, etc.
        • communication our final assessments plans
    • The French Curriculum Leader and I updated and streamlined:
      • The French budget
      • Created an online scope and sequence (with the collaboration of the teachers)
      • Organized and communicated the course load distribution (who teaches what; how many preparations, etc.)
      • Did the French program inventory
      • The French Curriculum Leader:
        • Was in charge of the placement of students for the French program (a big responsibility)
        • Created a Google calendar for the department
  • Last year was very successful: Film
    • Fabulous CHS Student Film Festival – great films – great speakers – good use of the new auditorium sound system
    • Continued excellent with the integration of instructional films for biology, chemistry, languages, debating, world history and our first attempt at an online resume
      • Students won $1000 for a UBC physics contest video
    • Outstanding movies reflecting on various social issues, personal values and artistic endeavors
    • Personally, I have learned how to better use the new cameras; successfully utilized the student created instructional film about the use of our equipment (Survival guide to film production) as a teaching tool; integrated the camera operation quiz that I designed in Moodle; navigated through the updates and changes of our editing software FCP-X; used the sound studio with students more than ever, created clay animation with the Video Club and finally mastered how to optimize green screen application
  • Last year was very successful: Spanish
    • The Spanish class created a very impressive final project after studying historical films
    • Highly personalized program, with themes and approaches designed specifically for the students; pacing also individualized
    • One student has confirmed that she is becoming a Spanish teacher (at UBC)

Goals (continuous): (Remember to include IT)

  • To empower students with the use of the HD cameras
    • Measurement: the result  – film / public, students and teacher feedback
  • To empower students with the use of the latest FCP-X
    • Measurement: the result  – film / public, students and teacher feedback
  • To facilitate the creation of award winning productions as well as co-curricular opportunities in my film classes
    • The outcome: which programs cooperated? How did we combine assessment? Student feedback / teachers’ feedback
    • Continue producing instructional films
  • To optimize / continue my curriculum maps
  • To continue finding ways to optimize the 1:1 computer implementation
  • To organize, again this year, a fabulous Spanish day

Plan: Actions

  •  To facilitate the implementation of the goals in the film program:
    • I have changed the course descriptions to include more professional skills development
    • The film program works directly with the Communication Department this year. We collaborate to create:
      • organizing & filming / editing & distributing music concerts
      • organizing & filming / editing & distributing the play
      • organizing & filming / editing & distributing the play
      • organizing & filming / editing & distributing… many more official school events
    • I started using the flipped classrooms concept in my film classes (student video: Survival guide to film production)
    • Continue offering a workshop for student services / grade 9 / media literacy (+ national week)
    • Continue mentoring the Spanish teacher closely (grade 9-10-11)
    • Facilitating fun films for assemblies…
  • Spanish
    • I started using the flipped classrooms concept in my Spanish 12/AP program (online tutor)
    • Re-designed the AP course to satisfy the new AP curriculum – the course was approved
      • Implement the AP program that I have re-designed (for the new AP exam)
    • Continue to personalize the program, with themes and approaches designed specifically for the students; pacing also individualized
    • Continue to differentiate learning: Sp 12 and Sp12AP
  • French
    • For the first time, I am using an online book
    • Revised and implement the Pre-AP program I designed (online magazines, etc.)
    • Engage the students culturally with the use of songs, poems, debates, etc.
    • Use E-portfolios to archive their artifacts

Timeline: Resources

  • We need: 
    • Pending:
      • Animation studio: New software must be purchased and animation booth renovated to accommodate the cameras
    • We need:
      • Decent headphones for the cameras;
      • speakers;
      • small camera for animation;
      • 2 tripod;
      • boom poles;
      • reflectors: aluminum screens
    • We need additional memory cards and tripods (IP) to support the production of films outside the program
  • We continue to use:
  • Languages:
    • Lab
    • We are investigating the idea of a virtual or partly virtual language lab at this time
      • Plan: New language lab software and hardware (if necessary) in Sept. 2014
  • Activities: Video Club
    • Work with the Communication Department to film events + VC members – successful!

CHS e-portfolio requirements

CHS e-portfolio requirements (June 2011)

  • Reflection on teaching, including indicators of professional reading
  • Evidence of student feedback with teacher reflection
  • Reflection on engagement with parents
  • Reflection on professional development over the last two years
  • Samples of students’ work with teacher reflection
  • Reflection on other roles in the school community
  • Role as teacher leader
  • Equipment management (purchase; repairs; maintenance) & Technological  expertise:
  • Cross curricular activities (helping teachers & their students make films for their classes):
  • Extra duties:
  • Benefits for CHS
  • Technological innovation

Synthesis: (ETEC 565)

E-Portfolio assignment #6: Synthesis reflection

From my flight path

As I contemplate what I learned since the beginning of this course, I realize that although my flight plan has been slightly altered during the process, my destination has remained unchanged: to discover pertinent technological applications in the field of digital communication. The difference is that, instead of exploring the digital film realm, I took a new route and redirected my course of studies towards the field of foreign language education.

What I originally put forward in my flight plan:

  • On Moodle: Investigate the various interactive and assessment options, available on this platform.
  • Harness the power of social media to provide students with a vehicle for exploring and creating original content.

“Children and teenagers are the main target of the powerful mass media and their messages. We act, think, live and dream depending on what others think about us, so we create this imaginary world where we present ourselves as the reflection of a media constructed image” (Christensen, 2000).

 I tried tackled the concept of identity when I selected a tool for my digital story. I found an appropriate type of content, a Mayan legend, and devised a project allowing the use of imagination as well as the exploration of Hispanic cultural settings.

What I explored:

  • At first, I thought that I was going to create a digital film for this course, and use it to enhance what I do in the digital film communication classes. However after further reflection, and after more information about what this course had to offer, I decided to experiment with the various tools at our disposal and opted to create effective Spanish communication tools.

Reflection on the eLearning toolkit experience overall

  • The design of a UBC blog:
    • The activity confirmed my interest in this powerful tool. Not only does it allow the presentation of student research and accomplishments; it is also available for future references and for collaborative work.
  • DVD authoring:
    • A favorite of mine, as the digital film communication leader in my institution. I tend to believe that, despite the level of difficulty involved in the more complex filmmaking tools, this form of storytelling is one of the most inclusive ways of presenting knowledge. It comprises audio and visual components, which allow for artistic expression; linguistic abilities (for scripts); communicative and collaborative skills (for screening); and research & technological know-how. In brief, it satisfies many, if not all the ISTE standards (2007).
  • Assessment on Moodle:
    • The production of a quiz in Moodle was a new experience for me. I found the possibilities worthy of note and intend to continue experimenting with these tools in the future.
  • Wiki activity:
    • Wikipedia has become such an important web-based tool that it seems justifiable to explore the way it is collectively shaped.  
    • On the one hand, cooperation with this type of medium can be complex due to the quantity of information that it can store and the number of people that can participate.
    • On the other hand, HTML authoring is an essential part of digital literacy. The wiki activity allowed students to further practice this useful code.
  • Web-based storytelling (Slide; Picasa; Flickr; …):
    • After exploring a great number of the suggested applications:
      • Animoto; motionbox;
      • VCASMO;
      • Kerpoof;
      • Voice Thread
    • I am pleased with the discovery of “Slide”. This tool is easy to use; offers many options; includes the use of music with the proper licensing; and can be tailored to a number of linguistic activities. It is a very good alternative to filmmaking, which, as mentioned before, can be a complex endeavor for less experienced students and teachers
    • Using the SECTIONS model (Bates & Poole, 2003) to analyze this social medium:
      • it will appeal to students;
      • it is easy of use;
      • there are no costs involved for the students (the structure is paid by the school: web access);
      • the teacher becomes a facilitator and the students becomes in charge of their own learning;
      • it is interactive;
      • organizing the activity is simple and relates well to the course objectives;
      • the novelty is enticing and can be linked with other social media tools such as Flickr, etc.;
      • the speed of production and delivery is adequate.
  • E-Learning toolkit: Web design and HTML authoring:
    • Useful tips:
      • Avoid too much information; not too little either
      • Be consistent in the way it is structured; designed
      • Use relevant images
      • Clear print
      • Easy to follow numbering system
      • Good overall design
  • Social media:
    • With the recent changes on Facebook, it has been a challenge to decide whether or not to keep the account. I am aware of the fact that some schools do not allow teachers to use Facebook with their students. In my case, it is the main reason why I use Facebook: to be able to easily contact my family, friends and old students.
  • Weblogs:
    • It is one of the invaluable technological tools that I have learned to use in my classes. In the film class, all my students have e-portfolios and we use wikis and blogs to embed their films and archive them for university applications. In Spanish, I intend to do the same.
  • Wikis:
    • This kind of platform allows me to store my students’ films without having to worry about the price or the storage space. I can embed the films if they have been uploaded on my student’s e-portfolio, on YouTube (most have, except for the ones who were too long or experienced some uploading complications).
  • Adaptive technologies:
    • It’s important to realize that while many people with disabilities have access to these technologies, in my school very few do. Therefore, I usually build my online resources with a minimal need for such technologies.
    • I think that the most important technological adaptation would be auditory. It may not be due to a disability, but rather because some people learn better by hearing rather than visually. This is often the case with language students (and teachers too!).
  • M-learning:
    • Accessible to all and less expensive than say, cameras and microphones.
    • Behaviorist – activities that promote learning as a change in learners’ observable actions
    • Constructivist – activities in which learners actively construct new ideas or concepts based on both their previous and current knowledge
    • Situated – activities that promote learning within an authentic context and culture
    • Collaborative – activities that promote learning through social interaction
    • Informal and lifelong – activities that support learning outside a dedicated learning environment and formal curriculum
    • Learning and teaching support – activities that assist in the coordination of learners and resources for learning activities

 Reflection on the overall ETEC 565 experience

Selecting appropriate technological tools

  • To start with, it has become clear that selecting appropriate technological tools is a sine qua non for teachers. Rather than trying to follow trends, educators benefit from making judicious choices about the technology they use by considering the ways in which it supports their programs’ learning outcomes (Bates & Poole, 2003).

Assessment Strategies

  • Starting with the end in mind is always a good place to initiate an adventure. In this light, the creation of an evaluation rubric for an LMS system was a worthwhile experience. It also combined the “communication and collaboration”; “critical thinking, problem solving and decision making”; as well as “technology operations and concepts” prescribed in the ISTE standards.
    • Collaboratively recognizing key attributes of a LMS, as well as weighing the infrastructure needed for successful delivery, made it possible to come to an agreement on the choice of an appropriate platform.
    • Investigating the characteristics of synchronous and asynchronous communication gave me an unambiguous idea of the manner in which time and space can be allocated in learning environments.
    • Real –time has taken a new meaning and is linked with the ability to connect at any time, in a chosen location. For this reason, technology assisted assessment can be very practical and motivating for students, who seek to have immediate feedback on their achievements. Peer assessment as well as critical thinking, triggered by discussion forums, are also valuable opportunities offered online.

Digital Storytelling

  • By using “slide” as a tool to illustrate a Spanish legend, I realized the potential of this type of online experience in relations to exploring new cultures and collaborating in the creation of projects in a foreign language.

The next steps in terms of my practice in educational technology

  • In my flight plan I considered the use of “Audacity”, a software program for the production of audio elements. I explored the tool in this course, but chose not to include it in my digital story assignment. A PowerPoint presentation is incorporated in the Spanish Moodle course (created for ETEC 565, UBC) and involves audio recording. With the audio already covered in my LMS’ second module, I decided to investigate other tools. Now that I have experimented with Audacity, it will be an exciting challenge to find other relevant ways to apply this tool in the Spanish courses.
  • Thanks to the Moodle course created as an assignment for ETEC 565, I have finally discovered an LMS course design that I can reproduce for both my digital film communication classes and the Spanish program. I have already started to mentor other teachers in that regard. In Spanish, all our courses will be structured in a similar way on Moodle. This will facilitate the navigation for students. Some of the online activities are also included in the assessment procedures, which will encourage active participation and collaboration.
  • My next endeavor is to create a pilot course for a full online digital film communication program for my institution. It will include the creation of an international media studies and digital storytelling curriculum. I plan to use the SECTIONS model to design the course: students; ease of use; cost structure; teaching and learning; interactivity; organization; novelty; and speed (Bates & Poole, 2003). While keeping in mind the “7 Principles of Good Practice” (Chickering & Ehrmann, 1996), I also plan to continue my exploration of online learning theoretical frameworks (Anderson, 2008).

Conclusion

To close, a review of the 2007 ISTE standards clearly shows that innovative educational strategies were taken in consideration for this course: Creativity and innovation (digital story); communication and collaboration (assessment rubric); research and information fluency (social media); critical thinking, problem solving, and decision making (wiki activity); digital citizenship (copyright infringement laws); technology operations and concepts (e-learning toolkit: LMS; web design; communication tools; social software; weblogs; wikis; and multimedia tools).

It is with both regret and satisfaction that I complete my last course in the Master of Educational Technology program at UBC. It has been a fabulous didactic quest that I will bring with me as long as I teach. This online experience has changed the way I look at education. Thanks to the possibilities offered on the web, I will always look forward to my next learning adventure.

References:

Anderson, T. (2008). Towards a theory of online learning. In: Anderson, T. & Elloumi, F. Theory and Practice of Online Learning. Athabasca Unversity. Accessed Online 9, June, 2009 http://www.aupress.ca/books/120146/ebook/14_Anderson_2008_Anderson-Online_Learning.pdf

Bates, A.W. & Poole, G. (2003). Chapter 4: a Framework for Selecting and Using Technology. In Effective Teaching with Technology in Higher Education: Foundations for Success. (pp. 77-105). San Francisco: Jossey Bass Publishers.

Chickering, A. W., & Ehrmann, S. C. (1996). Implementing the seven principles: Technology as lever. American Association for Higher Education Bulletin, 39(7), 3-7. Accessed Online 15, May, 2009 from http://www.aahea.org/bulletins/articles/sevenprinciples.htm

Christensen, L. (2000). Unlearning the Myths that bind us: Critiquing Cartoons and Society. In reading, writing and rising up: Teaching about social justice and the power of the written word (pp. 40-47) A Rethinking Schools Publication.

The ISTE (2007), National Educational Technology Standards (NETS•S) and Performance Indicators for Students: http://www.iste.org/Content/NavigationMenu/NETS/ForStudents/2007Standards/NETS_for_Students_2007_Standards.pdf

Slide: http://www.slide.com/

Educause: http://www.educause.edu/ELI/Archives/MobilityandMobileLearning/5527

The Hidden Dangers of Social Networks: You can log-on but you cannot hide: http://www.slideshare.net/lisbk/the-hidden-dangers-of-social-networks-you-can-logon-but-you-cannot-hide

Literature Review in Mobile Technologies and Learning: http://www.futurelab.org.uk/resources/documents/lit_reviews/Mobile_Review.pdf

Moodle Lesson: YouTube and youth culture (ETEC 531)

In this Moodle lesson you will explore the inter-relationships between: YouTube and youth culture

Definitions:

Youth:

  • young person: a young person (especially a young man or boy)
  • young: young people collectively;
  • the time of life between childhood and maturity
  • early maturity;
  • the state of being young or immature or inexperienced
  • an early period of development;
  • the freshness and vitality characteristic of a young person

(wordnetweb.princeton.edu/perl/webwn)

Culture:

  • a particular society at a particular time and place;
  • the tastes in art and manners that are favored by a social group
  • acculturation: all the knowledge and values shared by a society

(wordnetweb.princeton.edu/perl/webwn)

Youth culture:

  • youth-directed media and popular culture
  • youth-as-trouble
  • youth-as-fun
  • youth-as-future
  • youth-as-confusing tribe

Youth culture is most usefully defined as a field of artifacts, identities and practices which are circulated by youth as about and for youth.

(Driscoll, C. & Gregg, M. (2008). Broadcast yourself: moral panic, youth culture and internet studies. Pre-print of published chapter appearing in Usha Rodrigues (ed), Youth and Media in the Asia-Pacific Region,Cambridge Scholars Press, Cambridge)

Engage

Related pre-test question: Is YouTube its own culture?

Watch this Power Point Presentation

 Mobile Youth Tribes

The Mobile Youth Culture of Tribes

Understanding youth culture is not easy. This presentation defines tribes are core to youth culture. With Facebook, MySpace and YouTube, for example, young people’s values are no longer based on where they live (geography), but how they live (lifestyle).

Explore

Related pre-test question: What role does YouTube play in defining youth culture?

YouTube tribes & communities

Scroll through this YouTube video to see the numbers.

YT Identity Survey Results

Have a look at this YouTube video to explore the meaning of community.

What Defines a Community

Positive youth roles

Positive Youth Roles

Dangerous zones: the beginning of this video shows you what is on the web about eating disorders (note that to see pro-anorexia videos, one needs to sign in)

The Truth about Online Anorexia

Explain

Think:

a. Do you agree with the analogy that defines youth culture as a variety of tribes / communities?

[…] “generational consciousness” finds its most acute expression in subcultures. Subcultures exist at the cultural fringe and are typically anti-establishment and confrontational. Subcultures are frequently portrayed as dangerous by the mainstream media and are typically associated and confused with delinquency.

The majority of Western youth will never invest themselves in a subculture proper. They will, nonetheless, invest themselves in a youth identity that sets itself apart from the identities of the older generation. Such non-subcultural identities are typically modified, less confrontational, versions of subcultural identities.

Divested of their extreme stylistic alterity and transformed into a consumable object by fashion, music and other cultural industries, subcultural styles are frequently appropriated by, and thereby integrated into, dominant culture. (http://iyp.oxfam.org/documents/Chapter%2011%20Global%20Youth%20Culture%20&%20Youth%20Identity.pdf)

b. If you were to choose a community to join in YouTube, which one would it be?

Discuss:

Related pre-test question: Is Youtube a mainstream American culture, or does it have distinct entities?

The internet age threatens to condense the entire world’s culture into a single YouTube video:

In it [this single YouTube video] a personification of Youth Culture dances to 50 Cent while sipping a giant, corn-syrupy Starbucks latte. It’s world unity, sure, but from Helsinki to London to Paris, many fear that the oncoming juggernaut of the new internet age may pave over local difference. (http://www.utne.com/2008-01-08/Politics/Euro-Youth-Culture-in-Crisis-YouTube-and-Hip-Hop-to-the-Rescue.aspx)

a. Do you think that YouTube is generating conformity, rather that tribal differences?

b. Can both of these realities co-exist (tribes & conformity)? How?

Extend

Read

Related pre-test question: Does the Youtube community have rituals they practice? If so what purpose do these rituals fulfill?

Is YouTube’s allure raising risk-taking in youth culture? Burlington accident a reminder of sometimes tragic consequences when extreme stunts go wrong

By Meredith MacLeod, Metroland West Media Group News (http://www.burlingtonpost.com/news/article/261371)

Gainor says tragic incidents should reinforce to parents that they have to monitor every site, every message, every video their child watches.

a. What do you think of the last statement? Why?

Navigate through these sites

Related pre-test question: How does Youtube build a sense of community?

http://www.journalofaestheticsandprotest.org/6/another/youthtube.html

  • YOU-TUBE-SIZED: 10 Radical Things About YouTube

http://www.youthmediareporter.org/2007/01/an_internet_video_revolution.html

  • YouTube offers a new, paradoxical model for youth media activism; it is used as a resource for organizing and civic action, but viewed as a profit driver by its corporate owners. Ultimately, YouTube offers youth a powerful tool in planting the seeds of social change outside and within a corporate domain.

http://www.theseminal.com/2007/07/23/the-youtube-debates-misrepresented-american-youth/

  • Instead of seeing the youth as the smart, dedicated, and serious people that we are, CNN equated youthfulness with childishness.

Watch this rap video about youth and the media

Related pre-test question: Have sites like YouYube helped or hurt youth culture?

Evaluate

Related pre-test question: Has video sites like youtube been a positive or negative influence to society at large?

Music, Media & Today’s Youth

A slogan is a memorable motto or phrase used in [various] contexts as a repetitive expression of an idea or purpose. (http://en.wikipedia.org/wiki/Slogan)

  • Will your slogan give a positive outlook on YouTube? (democratization of information; freedom of expression; etc.)
  • Will your slogan play on the dangers of YouTube? (stalkers; false authenticity; hidden corporate interests; etc.)

Examples:

  • “The Power to Be Your Best.” (Apple Computers Advertising Slogan)
  • “Let your fingers do the walking.” (Yellow Pages Advertising Slogan)
  • “It’s the real thing.” (Coca-Cola Advertising Slogan)
  • “Just do it.” (Nike)

To design your slogan, reflect on these final (post-test) questions:

  • What impact has YouTube had on culture?
  • Will YouTube replace television?
  • Are the videos on YouTube an accurate reflection of society/culture?
  • What effect does Youtube have on culture and society?
  • What are the various identities of the YouTube community members?

My ETEC Portfolio

Master Program E-portfolio

The development of this portfolio has been very much like an adventure!

My core courses showed me the way to academic accuracy. The electives directed me towards technological ventures and artistic exploration.

This e-portfolio is a culmination of my scholarly voyage. The master program has motivated me to innovate in the field of pedagogy and has instigated profound changes in the way I use technology. This educational adventure has helped me shape my philosophy, which can be summarize as: “teaching with technology should advance the development of knowledge, rooted in the principles of the charter of human rights, and consider economical and political perspectives as well as the environment“.

My goal has been to present what I discovered and achieved during this master program in a multimodal fashion. I hope that my research papers, multimedia creations, reflections and films will provide interested educators with an exciting educational adventure!

If you wish, you can have a look at my initial proposal: cdrolet ETEC590 final prop / or pdf file: cdrolet-ETEC590-final-prop

UBC assessment guidelines:

  • Be integrative, through requiring generation/application of ideas across courses.
  • Generate research findings and/or link theory/research to practice.
  • Demonstrate an individual’s learning.
  • Result in a concrete product that demonstrates linkages and applications.
  • Be of personal use to the student and considered educationally valuable by an audience of professional peers.

Here is my final assessment rubric: Assessment Rubric /or pdf file: Rubric-ex-cd-final1

Reviews:

Here are the peer reviews for my e-portfolio:

  • Review initial 1
  • Guidelines of my peer reviewers I
  • Review I CD ep
  • Review I CD 2 ep
  • Review II CD ep
    • After carefully considering the peer reviews at this point, I decided to make some adjustments to my e-portfolio:
      • I modified the guided tour by adding some written clarifications.
      • I simplified the ETEC 590 / Met e-porfolio section, for easier access.
      • Reflections are now hosted in the MET course section and easily found under selected artifacts.
      • Typos have been corrected.
      • A transcription of my guided tour has been added under the screen cast, to provide an additional tool.
      • This review has encouraged me to continue looking at the e-portfolio as an adventure!
  • Review II 2
    • Reflections on this review lead to these adjustments:
      • Added a link to the MET home page /official course descriptions.
      • Emphasized the categories option (connecting the topics studied). 
      • Placed the MET courses page first and the Artifacts page after.
        • After pondering this decision, I decided against it. It is my belief that prospective employers will be mainly interested in my artifacts. They might have a closer look at the courses’  page if they feel the need to validate their selection process.
  • review II 3
    • “Gold star e-portfolio!
      • There is no doubt that you have become a master of educational technology”.
    • I like that!
  • Review III-1
    • I am particularly proud of these comments:
      • Use of film makes the project more interesting to navigate.
      • It is visually engaging and accompanied well by audio.
  • Review III 2  
    • I am particularly proud of these comments:
      • I believe that the video tour should be short yet informative which I feel you have accomplished.
      • A video tour that reiterates everything that is contained within the pages of the eP would be overwhelming and redundant.
      • I think that your video tour touches sufficiently on the above criteria by directing the viewer to each page where the criteria are further developed.
      • Your video tour gave me a better sense of the organization of your site, and (importantly) kept my attention by keeping it under 5 minutes.
      • eP is very comprehensive and thorough.
      • I am anointing you are the queen of reflection!
  • Reflecting on my reviews
  • More reflections:
    • Thanks to my instructor’s thorough reviews:
    • I converted my papers (in artifacts section) from ”doc” files to “pdf” files, in order to faciltate access to original work. I also added pdf files in this section to see my initial proposal and my assessment rubric more easily.
    • The comments inspired me to confirm some choices that I had initially made regarding the audience and the purpose. It is now clearer than ever that my e-portfolio is a document that should appeal to professionals and prospective employers.
    • Much thought has been given to the presentation in order to optimize clarity & professionalism.
  • Thinking… about my reflections!:
    • They come in the form of written comments to selected artifacts.
    • They can be heard by clicking on the audio files in the MET courses section.
    • For more than a year now, I have collected the most relevant academic reflections from the courses I have undertaken. They are found in the posts hosted under each course category.
    • My films are audio visual comments of my experience and practice as I was using and applying the knowledge acquired in the MET.
    • Introductions to various artifacts, pages, films, as well as my “about me” tab, provide a variety of reflections regarding my e-portfolio adventure.
    • Finally, this post, hosted in the ETEC 590 course category (to be consistent), also harbors some of my reflections about the review process.
    • An adventure is has been… and the journey continues!
  • Instructor’s final feedback:

Peer reviews I made for other students’ e-portfolios:

  • I have also written and shared many reflections about my ETEC 590 community of practice members’ personal e-portfolios.
  • For privacy reasons I did not include the peer reviews that I wrote for other students on this website.

Indigenous identify and contrasting societal values (ETEC 521)

Article “Introduction to decolonizing methodologies”, Smith, Linda.

What is the general tone of the Indigenous memory of scientific research?

The general tone of the Indigenous memory of scientific research is very negative. So much so that it is constantly reiterated by the author, who describes it at “dirty”. 

How have Indigenous communities and the revival of Indigenous culture become spaces of resistance and hope?

The revival of Indigenous culture becomes a beacon of hope when attempts are made to deconstruct; take apart history; reveal underlying messages; and give voice to unspoken truths.

This deconstruction of Western views allows for Indigenous communities to reinvent themselves. They find their vocabulary, their insights, their explanations to express experiences that are meaningful to them.

Can technology be useful in supporting Indigenous communities’ efforts to de-colonize values and thoughts?

In terms of a technology, I would offer the use of digital film. E-learning platforms are ideal to facilitate the involvement of Elders in the education of indigenous students. Web-course designers can undoubtedly find videos or organize the creation of digital films providing precious interviews with Elders speaking in their native tongue.

For young native learners who may not be fluent in their tribe’s language, sub-titles are easily added, or a simultaneous translation is also possible. For easy downloads, an audio only option may be advisable. With the use of an I-pod (or a modern telephone), students can effortlessly access these types of interviews.

What are some questions a non-Indigenous researcher should ask her/himself before going to do research in an Indigenous community?

  • Are the indigenous people participating in the research taking ownership of it?
  • Do the participants have a say in the way the results of the research will be used?
  • Will the research benefit the community?
  • How will the members of the community be empowered to participate in the framework of the research? \
  • How will the participants actively co-work with the researchers?
  • Can the participants be encouraged to verify the data; double check the transcription of the interviews, etc.?

 Can an Indigenous person who is educated in a mainstream research university ever be a representative of a traditional Indigenous community?

Yes, as long as they continue to hold the greatest respect for their ancestral wealth, their elders, and their communities at large.

Can a “traditional” community person become “educated” at a university and still remain traditional?

Yes, but the process is facilitated if the people experience a “bi-cultural” education. On the one hand, the students learn and research about their own communities; learn the tribal language, etc. On the other hand, they become acquainted with a common system of educational structures that permits them to fully participate in the “information” age.

Traditional Culture, Technology and Youth (ETEC 521)

History, Representation; globalisation and Indigenous Cultures: A Tasmanian Perspective

Julie Gough, a Tasmanian artist, re-contextualizes historical narratives by “retelling documented events from an alternative perspective […]”, (ch. 5, p. 106).

Her exposé on hybridity, and the fact that it is NOT new, contrasts with the recent idea that globalization created hybridity just recently.

Developing the theme of hybridity the artist goes on to explain how the “other” has been seen historically and manipulated by dominant cultures in order to fit the social order of the day. Changing native names, for example, represents a clear path to assimilation or the devaluation of indigenous identities.

Add to this an account of the re-naming written by a colonizer, and the story takes a Westernized twist, distorting and depreciating native languages and cultures.

In other words, historical “facts” are often either fabricated by the ones in power of biased according to one’s perception of reality.

To go even further, Gough speaks of a native image, devised by “Westerners”, relegating aboriginals to a “non-real” no man’s land type of a world. This is generated by over idealizing the “native” concept, making it impossible for natives to ever impersonate this ideal. Furthermore, it is produced by denying native perspectives altogether.

The author concludes by analyzing the meaning of globalization. On the one hand, the term implies freedom and non intervention from centralized powers. On the other hand, who is to keep the “wannabes” from distorting aboriginal messages and transmission of ancestral wisdom?

“We are captured, contained and therefore exist within the framework of this identifying and locational device of colonialist propaganda” (p. 102).

Do you think that the web will help native peoples to “free” themselves from this captivity?

Video “Fraser River Journey and March Point Trailer” (ETEC 521)

Video “Fraser River Journey and March Point Trailer”

March Point – via YouTube

Legacy of colonialism

 The video clearly shows young people using digital film communication to take their education into their own hands. They try to understand how their way of life and customs (fishing, for instance) is affected by industrial development (the refinery nearby for example).

Despite their challenges at school, they manage to get organized and to secure interviews with VIP’s like senators.

This production clearly demonstrates that young native people are ready to face the challenges of the communication age by using the tools it offers to become active in their community.

__________

 How are these communities using a combination of technology and traditional knowledge to help youth heal and gain vision for their lives? What is the role of elders in these situations?

Elders

In native cultures elders, who may be men or women, personify wisdom. They often preside over ceremonies and usually possess a variety of spiritual gifts. Some interpret dreams; others are knowledgeable herbalists or healers, for instance.

In this video, elders are shown as knowledgeable people. They are either political activist, political representatives or members of the community, who respect the traditional way of life.

Elders are the formal transmitters of traditions, tribal knowledge, values (such as introspection), self-directed learning, and connectedness. Whereas, in non-native cultures, elderly citizens’ knowledge may be informally appreciated, in aboriginal societies elders play an official role.

Elders are: “embodied learning and performed knowledge” (Córdoba, n. d., para. 6) seeking to nurture relationships between the individual, the family, the community, the nation and all sentient beings. This genuine transmission of knowledge is crucial for young and mature native students. It offers a counterpart to the mass media’s sensationalist depiction of aboriginal peoples and promotes healthy, respectful representations of indigenous realities, past and present.

Ref:

Córdoba, T. (n.d.). Aboriginal literacy and education: a wholistic perspective that embraces

intergenerational knowledge. Ontario Institute for Studies in Education of the University of Toronto. Retrieved October 21, 2009 from http://www.cst.ed.ac.uk/2005conference/papers/Cordoba_paper.pdf

Contemporary Indigenous identities (ETEC 521)

Contemporary Indigenous identities  & 21st Century skills

Website: First I must say that I was very impressed with the Principles for the Conduct of Research in the Arctic website.What a wealth of information in one place!

Article: From what I have learned in this course and in the article .Education Indigenous to Place: Western Science Meets Native Reality, in order to accommodate indigenous students, educational pathways must be designed holistically and knowledge must be contextualized.

  • Another sine qua non for indigenous learners is the use of authentic activities epitomized by the guidance of elders through artistic creations; story-telling; songs; anecdotes; vision quest; etc.
  • As shown in the Alaska Native knowledge network, the appreciation of indigenous languages within formal educational settings are various ways of promoting and protecting their distinctive identities.
  • Encouraging a form of literacy interlacing education with relationship, reciprocity and responsibility challenges the Eurocentric models of schooling. “From observing nature, Native people learned that the earth and the universe are built upon the premise of cooperation and interdependence” (Kawagley & Barnhardt, p. 9).

How do you react to this statement?

Aboriginals’ collective and situated (culturally, ecologically, historically) pedagogical approaches are well suited to deliver 21st century skills, such as interconnectedness and relevance, and positions indigenous learners & educational designers as leaders in the implementation of educational innovation.

References:

Education Kawagley, A. Oscar and Barnhardt, Ray, .Education Indigenous to Place: Western Science Meets Native Reality.”

Website: Principles for the Conduct of Research in the Arctic

E-learning Design for Indigenous Communities (ETEC 521)

E-learning Design for Indigenous Communities:

Towards a Pedagogy of On-line Education for Aboriginal Cultures

5000 words (text only: including neither references nor tables)

Chantal Drolet

For: ETEC 521 (Michael Marker), University of British Columbia, 2009

 Introduction

Is web-based instructional design tailored for the needs of powerful ethnic groups? Is it conceivable to devise an e-learning model with the potential of accommodating multiple cultures? If technology supported educational environments can embrace cultural diversity, what are the best online practices for aboriginal learners?

            The problem resides in the divestment of communal learning traditions. Contemporary academic research stipulates that dominant cultures are responsible for producing instructional design models that de-contextualize the learning experience (Collis, 1999, as cited in McLoughlin & Oliver, 1999). Moreover, studies show that the creation of web-based education is influenced by the designers’ theories of knowledge and objectives.

Part 1

Concepts and Assumptions 

            This research project explores the ways in which on-line delivery of instruction can include various communicating and information processing preferences. The paper bases its approach on Lave & Wenger’s 1991 conceptual framework (as cited in McLoughlin & Oliver, 1999) concerning communities of practice and examines the possible development of an e-learning design model including: structures, processes, tasks, activities and educational outcomes tailored to the needs of indigenous societies.

To read the entire paper, please click on: cdrolet ETEC521 major paper

Indigenous cultures in an interconnected world (ETEC 521)

Indigenous cultures in an interconnected world

In this chapter, it is made very clear that aboriginal peoples want to be in charge of their online image.

  • The authors underline the negative perception that natives seem to have of the “Indian wannabes”.
  • The web seems to be a fruitful avenue for indigenous learners as long as:
    • There is an involvement of the community
    • There are ways to ascertain the non interference of wannabes
    • Internet / Advantages:
      • There are ways to join with other tribal or traditional groups
      • Internet / Drawbacks:
        • How to compose with powerful concepts like: “One web, one culture… “

Chapter 4 of book (Indigenous cultures in an interconnnected world, Claire Smith & Graeme K. Ward, 2000)

Nanook of the North (ETEC 521)

Nanook of the North

Archaic:

Of course this video was made a while ago and it represents the perception that the “white man” had of the “Eskimos”: wild people dressed in furs and looking a bit disheveled.

Dramatized:

As we know, some parts were “dramatized”, as when Nanook “tastes the vinyl disk”. I loved the beginning of the movie with all these people and the dog coming out of this seemingly very small canoe! Was that staged too?

Educational ambivalence:

Frankly, this is very much what I remember watching when I was in elementary school. “Primitive” cultures were presented to us as a heritage to be protected. The members of these cultural traditions were portrayed as innocent; naïve; unaware and uninterested in modernity.

  • Nanook trades his valuable furs for a few knives and necessities… What a bargain for the traders!
  • It shows indigenous people as a collective. They are always in a group.  Individuality seems not to exist (denied?)
  • The members of the family are seen in nature; struggling against the elements; even the comment about how Nanook killed the bears with his own hands suggests a battle with the environment.

So, basically, the Inuit are seen as one with their environment; “uncivilized”; probably illiterate (at least in regards to the traders’ languages).

Entertainment vs. information:

On the one hand the movie is a fiction and should be entertaining. On the other hand, the impressions that we keep propagate the stereotypes of the “noble savage”.

It is not a bad image but it can be disconcerting when non-natives, who see aboriginals this way, have to reconcile today’s issues with that representation. It’s almost as though, when a native person treats the environment (or animals) badly, we are disappointed… even if in fact non-native are much more responsible than First Nations for the destruction of the planet.

This YouTube video called “Dr. Daniel Wildcat – Mother Earth speech” presents a very different vision of what a native person looks like, sounds like and believes:

http://www.youtube.com/watch?v=FkPtyDr8PNA&feature=related (4 min.)

“Wholism”: Analysis of two videos (ETEC 521)

In the first video, with Alannah Young (First Nations counsellor)

What caught my interest:

  • Communities define elders.
  • Through ceremonies: build relationships.

 “Wholism” was linked with

  • balance of male and female
  • giving value to locals

Amy Parent (Masters student in Educational Studies)

Her research focused on Aboriginal youth their relationship to traditional knowledge in urban settings.

  • Indigenous knowledge important in their lives
    • Wholism meant something to them
  • Indigenous knowledge a process for native youths
    • Indigenous knowledge can be expressed in different ways
    • No youth talked about technology / hip hop
  • Need for place based education; getting out of the city
  • Youth want to know about their languages

LOVE THIS:
Real Youth:

  • film / taught how to make claymation videos
  • Film competition
    • Won awards

Of course I am the Digital Film Communication Curriculum Leader at my school and I really do believe that digital film can be an incredible means of expression for young people.

When making a simple animation; a public service announcement or a short narrative, students take charge of their learning. That’s why they did not want to leave at the end… it was “their” film… they took ownership. That’s powerful!

The reason why young Aboriginals did not talk of the technology, in my opinion, is that they were talking of substance, not tools. In education, technology should be a means to communicate. Not a goal in itself. That being said, we all know that it affects the message…

 amyparent

 

 


 

 

 Amy Parent

The Media, Aboriginal People and Common Sense (ETEC 521)

Re: The Media, Aboriginal People and Common Sense

Before becoming an educator, I was a journalist. So, when I read this article, I was inclined to look back at my experience as a national reporter.

At one point, the author mentions that journalist often have to rely on second hand sources. I would add that time is often very scarce and there is a lot of pressure to deliver “the news” first. This is no excuse for misinformation, of course; but it’s reality too.

After all, newspapers and many other communication channels are commercial media.

On the other hand, the public is also in a hurry and few can take the time to research complicated issues.

In the end, the information is … superficial; we make judgments based on “bumper stickers”, slogans, repetition and stereotypes.

From the points of view of the reporters and the public:

Is the lack of well researched information due to laziness? Is it justified by the frenetic pace of our lives? Is it caused by apathy?

References:

Harding, Robert,“The Media, Aboriginal People, and Common Sense.